The Leaning Tower I adore
Indecision is a bore
I’ve had two songs stuck in my head for a couple of
weeks. The first is “Baby Love,” which
is ironic, because by 1964, when this was a hit single, I did not like or
listen to Rock ‘n Roll. By that
time, I was a hard-core Classical music devotee and a student of the Baroque
recorder. (Yeah, I know this is stuffy, but it’s the truth. And I did learn to play the Handel
flute sonatas on my recorder.) Pop
music was foisted on me when I attended summer camp, where 77 radio and Cousin
Brucie blared from every bunk. That
was when I heard (over and over) all the popular songs of the day. And there also was some parental
pressure to attend dances, for which I was totally unsuited, in the unrealized
hope of finding my life partner. So how has this ditty entered my middle-aged brain? I’ve begun to experience some subtle
ageism. It ranges from people
talking to me very slowly as if I have some mental impediment that will prevent
me from understanding simple instructions to the postal clerk who shoved the
Priority Mail receipt in my face to show me how I could log on to the Web to
track my package. I didn’t think
it would creep in at the gym, where there’s an ongoing class in weight training
and balance to stave off the ravages of time. But it did. The
trainers in my exercise classes select CDs that they think will appeal to us
over-50 participants. And apparently
there are music CDs intended for exercisers of my generation—to get our
geriatric limbs moving, I suppose.
(Now this is silly too because the people in the class range from their
mid-50s to an 82-year-old who can still do pushups, and we’re hardly all of the
same “generation.”). But there you
have it. One trainer has a CD with
songs like “I Will Survive” and “YMCA,” another has Rock ‘n Roll songs from the
60s and another CD of swing from the late 40s. I’d be perfectly happy with no music because this isn’t
aerobics, but the first thing each trainer does is rev up the stereo. And so until something else replaces
“Baby Love,” I’ll probably continue to sing it at odd moments, especially since
I’ll be pumping iron to it week after week. I started humming the lines from “It’s a Bore,” from the
musical Gigi, of my own accord.
Before I fell in with choir members who introduced me to the choral
masterpieces of Bach, Handel, and Mozart, I liked musical comedy. And Gigi is a favorite, even now. The lyrics—particularly the lines about
indecision—captured my mental state as I flitted from one swatch to the next,
still unable to find some summer knitting to fill Sirdal’s shoes, so to speak. Well, more precisely, Sirdal’s sleeves. The Monkey socks showed me that sock
knitting was possible in June’s heat, but then I thought I would switch to lace
shawls. After some evenings of
balling up yarn and swatching, I just didn’t like what I ended up with. And so weeks passed
without any firm commitment to a project, aside from the Sockotta socks. Even with the Sockotta socks, I spent many nights wondering
if I should do a short-row heel or a heel flap. I wanted to try a short-row heel, but the tops are a little
snug, and I wanted to be sure that the foot fit. So I’ll save the short-row heels for another time. For a yarn that is only part wool and
feels like cotton, Sockotta is very pleasant to knit with. Sock #1 is now ready for its gusset: I finally got tired of repeatedly pulling out stash yarn,
swatching, and ending up with nothing, and I began to pull out partially
finished projects instead. Not
much of a remedy to indecision, but at least it was different. I took advantage of the scorching, not
very humid weekend to wash and reblock the front, back, and sleeves of the Calvin Klein cardigan.
(It dried in a day and a half,
down from three days the first time.
Cotton Fleece takes a long time to wet block.) Yup, you’ve heard this before—I am going to finish this
sweater that has been decades in the making (sounds rather like a trailer
for a Cecil B. DeMille epic, doesn't it). “All”
it needs are the button bands, pocket finishing, and seaming—it has been in
this state for about three years.
The indecision here arises from the buttonholes. Lucy Neatby has a great way of grafting
them that I’d like to try, and until now, my Kitchener stitch skills weren’t up
to the job. After fixing the
ribbed cuff on my purple sweater, grafting stockinette has become very
easy. This is the
bang-your-head-on-the-wall-because-when-you-stop-it-will-feel-good
philosophy. But now that I can
graft 2x2 ribbing, I can manage stockinette without too much cursing—although doing
it in the space of a ¾ inch buttonhole is something else. While the red sweater was drying, I reevaluated a project started
last year. It is just a plain
jacket from some discontinued Cherry Tree Hill variegated silk-wool yarn. It will be in linen stitch. This is the swatch. The yarn feels like cotton, and now that the “balmy” 80-degree
temperatures of June have become the downright miserable near-100s of July,
this yarn is ok to knit with, albeit a little tough on my hands. Last year, I had started to shape the
body of this jacket, but the decreases on linen stitch looked awful. So I took them out and started knitting
the giant rectangle that will be the body (front and back) until the
sleeves. I'm about 2 inches into it. Perhaps it is the heat
that is influencing this decision (but at last I’ve made a commitment!), but a
loose-fitting jacket seems more appropriate for this yarn than a fitted style
because it has the feel of hand-woven cloth. So summer projects are now on track, and I’m indecisive no
more. My fear now is that we will
have an early fall, and I’ll want to go back to knitting with wool before these
sweaters are done—but when the temperatures are soaring into the 100s and I’m
holed up in AC for days on end, that hardly seems as if it will happen anytime
soon. Humming “Autumn Leaves” seems very premature just about now.